Giselle - A Chronicle Of Love, Tragedy And Forgiveness

By Haywood Hunter


The ballet, Giselle, is on a par with Hamlet in terms of its historical importance. Audiences go to see it time and again just for the opportunity of viewing the interpretation of the role by different ballet dancers. They comment that each time it is different and they see something new.

A love triangle with some unusual twists, the ballet tells the story of a peasant girl who dies of a broken heart when she learns that the nobleman with whom she has fallen hopelessly in love is engaged to another woman. A gamekeeper, who has fallen in love with the peasant girl, is seen weeping at her grave when he is startled by a band of spirits of young women who had died before their wedding days. The bitter spirits rise from their graves to torture men to their deaths.

It was the practice of the Wili to use their abundant beauty to attract vulnerable young men and force them to dance until they died of exhaustion. Hilarion, they pursued and then threw him to his death in a lake. Albrecht, to whom the band of bitter spirits turn their attention after disposing of Hilarion, fares somewhat better. The spirit of the peasant girl is summoned from her grave. She protects him from the Wili until daybreak, when they go back to their graves to rest until night falls again. Giselle forgives her lover and goes back to her grave where she may now rest peacefully for eternity.

First presented in Paris at Salle le Peletier in June 1841, it appeared in London at Her Majesty's Theatre in March 1842. It went on to be presented in Russia, Italy and the United States. It is now a film in 3D.

The role is a coveted one for young ballerinas. It requires grace and acting skills and is also demanding technically. Dramatist Theophile Gautier wrote it especially for his girlfriend, Carlotta Grisi. It has since been portrayed by Anna Pavlova, Svetlana Zakharova, Alicia Markova and many other accomplished ballet dancers.

It was Henrich Heine' tale of the Wilis that inspired Gautier, who imagined it as a ballet. He worked with the composer, Adolphe Adam and Jules Perot, choreographer.




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